<p> Focusing on the intricate presence of a Japanese new religion (Sekai Kyûseikyô) in the densely populated and primarily Christian environment of Kinshasa (DR Congo) this ethnographic study offers a practitioner-orientated perspective to create a localized picture of religious globalization. Guided by an aesthetic approach to religion the study moves beyond a focus limited to text and offers insights into the role of religious objects spiritual technologies and aesthetic repertoires in the production and politics of difference. The boundaries between non-Christian religious minorities and the largely Christian public sphere involve fears and suspicion of magic and occult sciences.</p>