<p>Audiences have long enjoyed Sergei Prokofiev&#39;s musical score for Sergei Eisenstein&#39;s 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofiev&#39;s and Eisenstein&#39;s work proved an enormous success both as a collaboration of two of the twentieth century&#39;s most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance Prokofiev&#39;s music for Alexander Nevsky music proved malleable its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofiev&#39;s Alexander Nevsky from its inception through the present day. He considers the music&#39;s genesis as well as the surprisingly different ways it has engaged listeners over the past eighty years from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s.</p>