Serial Encounters

James Joyce's <em>Ulysses</em> was first published in New York in the <em>Little Review</em> between 1918 and 1920. What kind of reception did it have and how does the serial version of the text differ from the version most readers know the iconic volume edition published in Paris in 1922 by Shakespeare and Company? Joyce prepared much of <em>Ulysses</em> for serial publication while resident in Zurich between 1915 and 1919. This original study based on sustained archival research goes behind the scenes in Zurich and New York in order to recover long forgotten facts that are pertinent to the writing reception and interpretation of <em>Ulysses</em>. <p/>The <em>Little Review</em> serialization of <em>Ulysses</em> proved controversial from the outset and was ultimately stopped before Joyce had completed the work. The New York Society for the Suppression of Vice had taken successful legal action against the journal's editors on the grounds that the final instalment of the thirteenth chapter of <em>Ulysses </em>was obscene. This triumph of the social purity movement had far reaching repercussions for Joyce's subsequent publishing history and for his ongoing efforts with the composition of <em>Ulysses.</em> <p/>After chapters of contextual literary history (on the cultural world of the <em>Little Review</em>; the early production history of <em>Ulysses</em>; and the New York trial of 1921) the study moves to a consideration of the textual significance of the serialization. It breaks new ground in Joycean scholarship by paying critical attention to <em>Ulysses</em> as a serial text. The study concludes by examining the myriad ways in which Joyce revised and augmented <em>Ulysses</em> while resident in Paris; it shows how Joyce made <em>Ulysses</em> more sexually suggestive and overt in explicit response to the work's legal reception in New York.<br>