<i></i>Inspired by new approaches in performance studies theatre history research in material culture and dress history a rich discussion of the many aspects of costume in Shakespearean performance has begun. Shakespeare and Costume furthers this research bringing together varied and stimulating essays by leading scholars that consider costume from literary dramatic design performative and theatrical perspectives as well as interviews with renowned theatre practitioners Jane Greenwood and Robert Morgan. The volume amply demonstrates how an analysis of the meaning of costume enriches our understanding of Shakespeare's plays. <br/><br/>Beginning with an overview of the stage history of Shakespeare and costume the volume looks at the historical context of clothing in the plays considering topics such as royal self-fashioning festive livery practices and conceptions of race and gender exhibited in clothing choice as well as costume in performance. Drawing on documentary evidence in designers' renderings illustrations in periodicals paintings photographs newspaper reviews and actors' memoirs the volume also explores costume designs in specific Shakespeare productions from the re-opening of the London theatres in 1660 to the present day.