This history of Shakespeare in the German-speaking theater is set against the background of German culture and politics in the twentieth century. Following on the earlier volume by Simon Williams Shakespeare on the German Stage 1586-1914 Hortmann concentrates on the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies. The work of individual directors designers and actors is described and performances are plentifully illustrated. A section by Maik Hamburger describes the theater of the German Democratic Republic.