The book examines the distinction between revision and rewriting in Early New English literature analysing over 50 poems and plays from the sixteenth to seventeenth century. Focusing on <i>A Lover's Complaint</i> <i>Double Falsehood</i> and adaptations of <i>Richard II</i> and <i>The Duchess of Malfi</i> it explores how texts evolved through revision and reinterpretation.
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