Shakespeare's Sublime Ethos

<p><b>Winner of the AEDEAN Enrique García Díez Literature Research Award 2023</b></p><p><b>Winner of the European Society for the Study of English Book Award 2024</b></p><p><em>Shakespeare’s Sublime Ethos: Matter Stage Form</em> breaks new ground in providing a sustained demystifying treatment of its subject and looking for answers to basic questions regarding the creation experience aesthetics and philosophy of Shakespearean sublimity. More specifically it explores how Shakespeare generates a sublime mood or ethos which predisposes audiences intellectually and emotionally for the full experience of sublime pathos explored in the companion volume <i>Shakespeare’s Sublime Pathos</i>. To do so it examines Shakespeare’s invention of sublime matter his exploitation of the special characteristics of the Elizabethan stage and his dramaturgical and formal simulacra of absolute space and time. In the process it considers Shakespeare’s conception of the universe and man’s place in it and uncovers the epistemological and existential implications of key aspects of his art. As the argument unfolds a case is made for a transhistorically baroque Shakespeare whose bastard art enables the dramatic restoration of an original innocence where ignorance really is bliss. Taken together <i>Shakespeare’s Sublime Ethos </i>and <i>Shakespeare’s Sublime Pathos </i>show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that ultimately his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined simulated or evoked but never achieved.</p>