Looking At The Violation Of Bodies In Shakespeare''S Tragedies Especially As Revealed (Or Concealed) In Performance On Stage And Screen Pascale Aebischer Discusses Stage And Screen Performances Of Titus Andronicus Hamlet Othello And King Lear. Aebischer Demonstrates How Bodies Virtually Absent From Playtexts And Critical Discussion (Due To Silence Disability Marginalization Racial Otherness Or Death) Can Be Prominent In Performance Where Their Representation Reflects The Cultural And Political Climate Of The Production.
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