Shipwreck in French Renaissance Writing

In the sixteenth century a period of proliferating transatlantic travel and exploration and latterly religious civil wars in France the ship is freighted with political and religious as well as poetic significance; symbolism that reaches its height when ships--both real and symbolic--are threatened with disaster. <em>The Direful Spectacle</em> argues that in the French Renaissance shipwreck functions not only as an emblem or motif within writing but as a part or the whole of a narrative in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck--imagined through the Lucretian <em>suave mari magno</em> commonplace--is constantly undermined not least through a sustained focus on the corporeal. This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms and conversely ships themselves become animalized and humanized. Secondly many texts anticipate that the description of shipwreck will have an affect not only on its victims but on those too of spectators listeners and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century culminating in a shipwreck tragedy. By the late Renaissance shipwreck is not only the end but often forms the beginning of a story.<br>