Samuel Beckett is widely regarded as 'the last modernist' the writer in whose work the aesthetic principles which drove the modernist project dwindled and were finally exhausted. And yet despite this it is striking that many of the most important contemporary writers across the world see their work as emerging from a Beckettian legacy. So whilst Beckett belongs in one sense to the end of the modernist period in another sense he is the well spring from which the contemporary in a wide array of guises can be seen to emerge. Since Beckett looks at a number of writers in different national and political contexts tracing the way in which Beckett's writing inhabits the contemporary while at the same time reading back through Beckett to the modernist and proto-modernist forms he inherited. In reading Beckett against the contemporary in this way Peter Boxall offers both a compelling re-reading of Beckett and a powerful new analysis of contemporary culture.
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