Sneaky Little Revolutions

<p><em style=background-color: rgba(0 0 0 0)>'I know it's a daring suggestion but I'll make it anyway.'</em></p><p>Charmian Clift was a writer ahead of her time. Lyrical and fearless her essays seamlessly blended the personal and the political.</p><p>In 1964 Charmian Clift and her husband George Johnston returned to Australia after living and writing for many years in the cosmopolitan community of artists on the Greek island of Hydra. Back in Sydney Clift found her opinions were far more progressive than those of many of her fellow Australians.</p><p>This new edition of Charmian Clift's essays selected and introduced by her biographer Nadia Wheatley is drawn from the weekly newspaper column Clift wrote through the turbulent and transformative years of the 1960s. In these 'sneaky little revolutions' as Clift once called them she supported the rights of women and migrants called for social justice for Aboriginal and Torres Strait Islander people opposed conscription and the war in Vietnam acknowledged Australia's role in the Asia-Pacific fought censorship called for a local film industry - and much more. In doing so she set a new benchmark for the form of the essay in Australian literature.</p><p><strong style=background-color: rgba(0 0 0 0)>'Charmian Clift was ahead of her time and yet also representative of them. Her essays are a fascinating thoughtful - sometimes judgemental sometimes lyrical - window into an Australia on the brink of change. Whether you always agree with her opinions or not she writes like a dream and her voice is wry insightful and self-aware. It is lovely to see her gaining the recognition she has long deserved.' - Jane Caro</strong> <strong style=background-color: rgba(0 0 0 0)>Walkley Award winning columnist and author</strong></p><p><strong style=background-color: rgba(0 0 0 0)>'When I first stumbled on Clift's essays twenty or more years ago these trashy essays written for a disposable occasion seemed to me to have more lightning and quicksilver more brilliance and more skill of execution than any Australian writing other than the great novels of Patrick White and Christina Stead.' - Peter Craven</strong> <strong style=background-color: rgba(0 0 0 0)><em>Sydney Morning Herald</em></strong></p><p><strong style=background-color: rgba(0 0 0 0)>'Reading these essays it's easy to see why Clift became a cult figure. The chatty charming and sometimes slightly dippy persona distracts attention just enough from the steely intelligence the sophisticated sentence structure and the passion for causes that characterise these pieces but might otherwise rather have alarmed her readers ... In an era that hadn't yet thought too much about these things her columns demonstrated that a woman ... could and should be an active citizen of the world.' - Kerryn Goldsworthy</strong> <strong style=background-color: rgba(0 0 0 0)><em>Australian Book Review</em></strong></p><p><strong style=background-color: rgba(0 0 0 0)>'From the women's pages of the</strong> <strong style=background-color: rgba(0 0 0 0)><em>Sydney Morning Herald</em> among advertisements for wrinkle cream and mini-skirts ... Clift challenged a complacent society fashioned a sly and elegant sedition: opposing Vietnam unmasking materialism championing equality for women.' - Mark Tredinnick</strong> <strong style=background-color: rgba(0 0 0 0)><em>The Book Bulletin</em></strong></p><p><br></p>