Sonic Possible Worlds

Inspired by its use in literary theory film criticism and the discourse of game design Salom Voegelin adapts and develops possible world theory in relation to sound. David K Lewis'' Possible World is juxtaposed with Maurice Merleau-Ponty''s life-world to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence no continuous and comparative study of the field is possible. In Sonic Possible Worlds Voegelin proposes a new analytical framework that can access and investigate works across genres and times enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco Lpez resound in the visual worlds of Louise Bourgeois.