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About The Book
Description
Author
An anthology of essays on the new syncretic or 'fusion' styles of music of the indigenous peoples of the Pacific region who have adopted forms of popular music as an expression of their cultural identity. Its strength lies in the layering up of a sense of community of inquiry and the fostering of an intertextual head of steam grounded in a set of empirical rather than theoretical concerns. It considers the interrelation between music popular culture politics and (national) identity but also looks at the business aspect of producing and distributing music in the Pacific region.