Sound Effect

<i>Sound Effect</i> tells the story of the effect of theatrical aurality on modern culture. Beginning with the emergence of the modern scenic sound effect in the late 18th century and ending with headphone theatre which brings theatre's auditorium into an intimate relationship with the audience's internal sonic space the book relates contemporary questions of theatre sound design to a 250-year Western cultural history of hearing. It argues that while theatron was an instrument for seeing and theorizing first a collective hearing or audience is convened. Theatre begins with people entering an acoustemological apparatus that produces a way of hearing and of knowing. Once this was a giant marble ear on a hillside turned up to a cosmos whose inaudible music accounted for all. In modern times theatre's auditorium or instrument for hearing has turned inwards on the people and their collective conversance in the sonic memes tropes clichés and picturesques that constitute a popular fictional ontology.<br/><br/>This is a study about drama entertainment modernity and the theatre of audibility. It addresses the cultural frames of resonance that inform our understanding of SOUND as the rubric of the world we experience through our ears. Ross Brown reveals how mythologies pop-culture art commerce and audio have shaped the audible world as a form of theatre. Garrick De Loutherbourg Brecht Dracula Jekyll Hyde Spike Milligan John Lennon James Bond Scooby-Do and Edison make cameo appearances as Brown weaves together a history of modern hearing with an argument that sound is a story audibility has a dramaturgy hearing is scenographic and the auditoria of drama serve modern life as the organon or definitive frame of reference on the sonic world.