Space Conrad and Modernity

Recent literary and cultural criticism has taken a spatial turn. Nowadays to speak is to speak from to or in; to know something is to have ''mapped'' its discursive operation. This book locates this development within the opposition between a space of things and a space of words tracing various aspects of its emergence from the geopolitical idea of ''closed space'' which developed in the early twentieth century to the influence of Saussurean linguistics in contemporary criticism and theory.The focus of the study is the work of Joseph Conrad in whom the opposition between a space of words and a space of things is strikingly figured. Part I deals with several versions of closed space using an ancient spatial paradox of God (as the sphere of which the centre is everywhere and the circumference is nowhere) to raise questions about the relations between geography language and interpretation. Part II deals with the agitation around finitude and the limit and the desperate attempt to discover in the resources of language a means of liberation.Through these ideas the book explores some of the more disreputable marginal or unglimpsed elements in modernism - including the rise of spy fiction anarchist geography the spiritualist movement the invention of artificial languages the history of laughter and solar energy. Among the figures drawn into dialogue with Conrad are John Buchan Woolf Joyce Peter Kropotkin René de Saussure (brother of the famous Ferdinand) Henri Bergson the filmmakers George Méliès and Carol Reed and in particular Michel Foucault -- this ''nouvelle cartographe'' as Gilles Deleuze described him -- whose anxious negotiation with spatial ideas touches the book''s deepest understanding.