Spectacular Vernaculars

<p><b>Viewing hip-hop as the postmodern successor to African American culture's Jazz modernism this book examines hip-hop music's role in the history of the African-American experience.</b></p><p>Spectacular Vernaculars examines hip-hop's cultural rebellion in terms of its specific implications for postmodern theory and practice using the politics of reception as its primary rhetorical ground. Hip-hop culture in general and rap music in particular present model sites for such an inquiry since they enact both postmodern modes of production-the appropriation of tropes technologies and material culture-and a potential means of resistance to the commodification of cultural forms under late capitalism. By paying specific attention to the historical and cultural context of hip-hop as a black artform and locating its practice of resistance in terms of a postmodernist reading of consumer culture this book offers a complex reading of hip-hop as a postmodern practice with implications both for theories of postmodernism and cultural studies as a whole.</p>