This book studies the interplay of theology and poetics in the three great epics of early-modern England: the&nbsp;<i>Faerie Queene</i>&nbsp;<i>Paradise Lost</i> and&nbsp;<i>Paradise Regained</i>. Bond examines the relationship between the poems' primary heroes Arthur and the Son who are godlike virtuous and powerful and the secondary heroes Redcrosse and Adam who are human fallible and weak. He looks back at the development of this pattern of dual heroism in classical Medieval and Italian Renaissance literature investigates the ways in which Spenser and Milton adapted the model and demonstrates how the Jesus of&nbsp;<i>Paradise Regained</i>&nbsp;can be seen as the culmination of this tradition. Challenging the opposition between Calvinist allegorical Spenser and Arminian dramatic Milton this book offers a new account of their doctrinal and literary affinities within the European epic tradition. Arguing that Spenser influenced Milton in fundamental ways Bond establishes a firmer structural and thematic link between the two authors and shows how they transformed a strongly antifeminist genre by the addition of a crucial although at times ambivalent heroine. He also proposes solutions to some of the most difficult and controversial theological cruxes posed by these poems in particular Spenser's attitude to free will and Milton's to the Trinity. By providing a deeper understanding of the religious agendas of these epics this book encourages a rapprochement between scholarly approaches that are too narrowly concerned with either theology or poetics.
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