Stitching the Self

The needle arts are traditionally associated with the decorative domestic and feminine. <i>Stitching the Self</i>sets out to expand this narrow view demonstrating how needlework has emerged as an art form through which both objects and identities - social political and often non-conformist - are crafted.<br/><br/>Bringing together the work of ten art and craft historians this illustrated collection focuses on the interplay between craft and artistry amateurism and professionalism and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group it reveals how needlework is a transformative process - one which is used to express political ideas forge professional relationships and document shifting identities.<br/><br/>With a range of methodological approaches including object-based feminist and historical analyses <i>Stitching the Self</i>examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world the book recognizes the needle as a powerful tool in the fight for self-expression.