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About The Book
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<p><em>Studying Audiences: The Shock of the Real</em> provides a critical overview of cultural studies research into the television audience. With the development of ethnographic research methods hailed by Stuart Hall as `a new and exciting phase' in audience research researchers turned their critical attention to groups of `ordinary people' watching television combining interviews and participant observation with textual analysis of television programmes. This early research attempted to document the premises of theories of spectatorship and reception.<br> In a comprehensive analysis of the origins and achievements of the `cultural studies audience experiment' Virginia Nightingale evaluates five projects which helped to shape the field of television audience research including Charlotte Brunsdon and David Morley's work on <em>Nationwide</em> Ien Ang's <em>Watching Dallas</em> and David Buckingham's study of <em>EastEnders</em> and its audience.<br> Nightingale traces how central tenets within audience studies have been challenged by discourses of post-colonialism fan activism and new theories of writing arguing that audience research is necessarily a multi-faceted activity.</p>