Terror and Pity

Situated on the intersection of comparative literary criticism political history and theory and cultural analysis <i>Terror and Pity: Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia</i> offers an in-depth reading of early Russian tragedy as a political genre. Imported to Russia by Aleksandr Sumarokov around 1750 tragedy reenacted and shaped the symbolic economy and the often disturbing historical experience of absolutist autocracy. Addressing half-forgotten texts and events this study engages with literary and cultural theory from Walter Benjamin to Foucault and new historicism in order to contribute to a broader discussion of early modern poetics of culture.