In The Age of Total Images art historian Ana Peraica focuses on the belief that the shape of the planet is two-dimensional which has been reawakened in the late 20th and early 21st centuries and the ways in which these ‘flat Earth’ conspiracy theories are symptomatic of post-digital image culture. Such theories proven to be false both in Antiquity and Modernity but once held to be true in the Medieval Period have influenced a return to a kind of ‘New Medievalism’.
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