<P>In <I>The Anti-Heroine on Contemporary Television: Transgressive Women</I> Molly Brost explores the various applications and definitions of the term <I>anti-heroine</I> showing that it has been applied to a wide variety of female characters on television that have little in common beyond their failure to behave in morally &ldquo;correct&rdquo; and traditionally feminine ways. Rather than dismiss the term altogether Brost employs the term to examine what types of behaviors and characteristics cause female characters to be labeled anti-heroines how those qualities and behaviors differ from those that cause men to be labeled anti-heroes and how the label reflects society&rsquo;s attitudes toward and beliefs about women. Using popular television series such as <I>Jessica Jones</I> <I>Scandal</I> and<I> The Good Place</I> Brost acknowledges the problematic nature of the term <I>anti-heroine</I> and uses it as a starting point to study the complex women on television analyzing how the broadening spectrum of character types has allowed more nuanced portrayals of women&rsquo;s lives on television.</P>
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