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About The Book
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<p><em>The Archaeology of Seeing</em> provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art sculpture paintings and more. </p><p>The engaging argument draws on current thinking in archaeology on how we can interpret the behaviour of people in the past through their use of material culture and how this affects our understanding of how we create and see art in the present. Exploring themes of gender identity and story-telling in visual material culture this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such it will interest lovers of both art and archaeology.</p><p>Illustrated with examples from around the world from the earliest art from hundreds of thousands of years ago to the contemporary art scene including street art and advertising Janik cogently argues that the human capacity for art which we share with our most ancient ancestors and cousins is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes according to time and place are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning making an important contribution to the debate on art/archaeology.</p>