The Art of Czech Animation is the first comprehensive English language account of Czech animation from the 1920s to the present covering both 2D animation forms and CGI with a focus upon the stop-motion films of Jir Trnka Hermna Trlov Jan vankmajer and Jir Barta.. Stop-motion is a highly embodied form of animation and The Art of Czech Animation develops a new materialist approach to studying these films. Instead of imposing top-down Film Theory onto its case studies the book''s analysis is built up from close readings of the films themselves with particular attention given to their non-human objects.. In a time of environmental crisis the unique way Czech animated films use allegory to de-centre the human world and give a voice to non-human aspects of the natural world points us towards a means by which culture can increase ecological awareness in viewers.. Such a refutation of a human-centred view of the world was contrary to communist orthodoxy and it remains so under late-stage consumer-capitalism. As such these films do not only offer beautiful examples of allegory but stand as models of political dissent. The Art of Czech Animation is a unique endeavour of film philosophy to provide a materialist appraisal of a heretofore neglected strand of Central-Eastern European cinema.
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