In this book Professor Mastronarde draws on the seventeen surviving tragedies of Euripides as well as the fragmentary remains of his lost plays to explore key topics in the interpretation of the plays. It investigates their relation to the Greek poetic tradition and to the social and political structures of their original setting aiming both to be attentive to the great variety of the corpus and to identify commonalities across it. In examining such topics as genre structural strategies the chorus the gods rhetoric and the portrayal of women and men this study highlights the ways in which audience responses are manipulated through the use of plot structures and the multiplicity of viewpoints expressed. It argues that the dramas of Euripides through their dramatic technique pose a strong challenge to simple formulations of norms to the reading of consistent human character and to the quest for certainty and closure.
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