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About The Book
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LOOK WHAT THEY ARE SAYING ABOUT MCDs Art: MCD has become a master of paint which flows into form . . . The art is technically proficient and an example that representational art can convey feeling and emotion far more than place and time . . . It is beautifully nonessential and detached immersed in myth . . . resolved into an art of real force and power . . . The intensity of MCDs application of paint the refusal to compromise individual vision are all traits of serious creativity. -The Straight Creek Journal Carl Fowler Thank you for the samples of your books. Both Eric Cornell and myself got an opportunity to take a look at them and found them quite interesting. -Carl E. Wieman Professor of Physics University of Colorado Nobel Laureate in Physics My daughter is very interested in your art my wife and I had to come and visit and see it ourselves. The Land of The Number Zero books are especially interesting. -Harry Bertoia sculptor and designer creator of the chapel at M.I.T. Years in the making MCD has developed a kaleidoscope of paintings in The Land of The Number Zero books that are both medieval and modern at the same time. Very dream-like extremely sensuous the work is almost a cross between Marc Chagall and Richard Lindner . . The work really is a great menu of visual delights that are well worth the time to linger over savoring the delightful blends of colors and forms. -The Straight Creek Journal The paintings of MCD offer a feast of free association. Some recall German expressionism or Brechtian theater others suggest the influence of primitive art and surrealist dreams. Many of the acrylics unwind in a spiral from the center of the canvas like reveries from a genies lamp. Using layered textured paint and some metallic colors MCD draws from a palette of deep greens rust and browns to create a netherworld dotted with haunting faces and shadows. They are mysterious and powerful works. -Now Magazine The Denver Post