The Avant-Garde and American Postmodernity

The Avant-Garde and American Postmodernity: Small Incisive Shocksby Philip Nel.Was there a sudden break in the world of art literature and music when modernism gave way to postmodernism?Philip Nel attacks the notion of tremendous and sudden change in artistic understanding and literary practice. Instead in The Avant-Garde and American Postmodernity: Small Incisive Shocks he proposes that a series of small but far-reaching changes drew understanding from modernism to postmodernism.What bonds these two periods together? The constant agent of change Nel argues was the avant-garde. Tracking its influence on novelists popular culture figures and children's authors this book re-evaluates how twentieth-century culture has been traditionally divided into modern and postmodern.Suggesting that a modernism and postmodernism division prevents accurate evaluation of a work Nel realigns our conceptions of twentieth-century literature art and music. Focusing on eight figures--Nathanael West Djuna Barnes Dr. Seuss Donald Barthelme Don DeLillo Chris Van Allsburg Laurie Anderson and Leonard Cohen-as representative this book examines works along a spectrum of political involvement.Unencumbered by excessive jargon but deeply rooted in theories of postmodernity Nel's work has an accessible style maintaining a balance between high theory and popular discourse. The first book to analyze postmodern children's literature it revives the radical Dr. Seuss by reading him alongside avant-garde artists. Nel argues that Chris Van Allsburg speaks the Internet generation's vernacular using a surrealist idiom to pose questions that linger beyond his picture books' final pages.Nel's book is a nuanced and wide-ranged rereading of how postmodernism displays art's ability to imagine a better world.Philip Nel is an assistant professor of English at Kansas State University.