The Best Plays from the Strawberry One-Act Festival

<p><b><i>MEATLOAF IN THE MOONLIGHT</i></b> by David Gallic. Every family has skeletons in their closet. These skeletons are coming out to play. </p> <p><b><i>CLAP ON CLAP OFF</i></b> by Aiden Levy. A sexually frustrated adolescent tries to lose his virginity to his wholesome girlfriend when his grandmother leaves for a Mensa trip and entrusts him to water her plants. </p> <p><b><i>ANYONE ANYWHERE</i></b> by Amanda Fleming. Love can happen to anyone anywhere. </p> <p><b><i>BABE INC. </i></b> by Rosemary Zibart. In the year 2108 men can order robotic women as mates but due to a snafu in the system a real woman gets substituted for a robotic Babe to accompany a man to his mother's funeral. The results are a little haywire. </p> <p><b><i>PEAR</i></b> by Carol Paik. Husband and wife grapple with the incessant problem of what to do about dinner. </p> <p>Other plays include: <b><i>THE PARKING LOT</i></b> by Holly Hunt <b><i>BLUE STREAK</i></b> by Carston Turner <b><i>STEEL OR PRETZELS</i></b> by Mara Gilbert <b><i>JUMP</i></b> by Josh Sohn <b><i>DAILY SOUNDS</i></b> by Jay Prasad <b><i>FREE COUNTRY</i></b> by Steve Monarque <b><i>THE SEED</i></b> by David Pumo and <b><i>THIS BASEMENT</i></b> by Bethann Snow. </p>