This volume brings together prominent scholars artists composers and directors to present the latest interdisciplinary ideas and projects in the fields of art history musicology and multi-media practice. Organized around ways of perceiving experiencing and creating the book outlines the state of the field through cutting-edge research case studies. For example how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology ecomusicology-ecoart-ecomuseology and digital humanities for art history musicology and practice are prioritized in one volume.
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