The Book of Imitation and Desire: Reading Milan Kundera with Rene Girard

Trevor Cribben Merrill offers a bold reassessment of Milan Kunderas place in the contemporary canon. Harold Bloom and others have dismissed the Franco-Czech author as a maker of period pieces that lost currency once the Berlin Wall fell. Merrill refutes this view revealing a previously unexplored dimension of Kunderas fiction. Building on theorist Ren Girards notion of triangular desire he shows that modern classics such as The Unbearable Lightness of Being and The Book of Laughter and Forgetting display a counterintuitiveand bitterly funnyunderstanding of human attraction. Most works of fiction (and most movies too) depict passionate feelings as deeply authentic and spontaneous. Kunderas novels and short stories overturn this romantic dogma. A pounding heart and sweaty palms could mean that we have found the One at lastor they could attest to the influence of a model whose desires we are unconsciously borrowing: our amorous predilections may owe less to personal taste or physical chemistry than they do to imitative desire. At once a comprehensive survey of Kunderas novels and a witty introduction to Girards mimetic theory The Book of Imitation and Desire challenges our assumptions about human motive and renews our understanding of a major contemporary author.