The Brussels Review

In this issue of The Brussels Review, readers are treated to a diverse array of voices and narratives, each exploring the intricacies of the human experience. From stories of resilience and memory to reflections on nature and the divine, this collection offers a rich tapestry of literary expression. Additionally, an insightful interview with Annelies Verbeke provides a glimpse into the mind of a contemporary literary figure.Fiction opens with Kevin Murphy's poignant narrative, The Carousel, followed by Rebecca Klassen's touching story, All That Grows. Ciara Mandulee Mendis explores familial tensions in The Secrets of Dead Leaves, while Ornela Musabelliu delves into the sadness of loneliness in The Shoes. David Hutto presents a satirical reflection on humanity in The Price of Angels, and Robert Slentz-Kesler takes us into the world of Cold War-era espionage in Stay Calm, Stay Discreet. Huina Zheng's Bonds captures the complexity of human relationships, while Urmi Palchoudhury's The Gulmohar Tree evokes the nostalgia of changing landscapes. Jonathan Scott Davies offers an intimate portrayal of life in Paris with An Apartment in Paris, and Janet Goldberg presents a nuanced exploration of joy and sorrow in Much Happiness. Paul Lewellan's Almost Famous provides a sharp commentary on the pursuit of success, followed by Stephen O’Donnell’s vivid portrayal of rituals in Sacred Sunday. Patrick ten Brink's My Special Condition examines personal perception, and Nelly Shulman closes the fiction section with a stark portrayal of resilience in The Badlands.In the Poetry section, Frank William Finney reflects on childhood memories in In Memory of Papa’s Pond, while Robert René Galván explores the strength of nature in Venerable Tree. Elizabeth Gunn maps out the emotional terrains of life in Cartographer, and James B. Nicola offers a compelling ode to philosophical questioning in Diogenes. Eleni C. Traganas presents a delicate ode to nature with Helianthus, and Nadine Ellsworth-Moran explores the ephemeral nature of memory in What the Wind Carries. Peter Graarup's Jesus invites readers to meditate on faith and the divine, while Amy L. Bernstein's Girl Reading a Letter at an Open Window reflects on love, loss, and introspection.