The California Tales

Exhibit-Ato Dream The Im-Poss-Ible Dreamto Fight The Un-Beat-Able Foeto Run Where The Brave (Or Wise) Dare Not Go-From The Broadway Production Of The Man Of La ManchaMusic By Darien And Leigh 1965Gracing The Awesome Coastline Of California Like A Set Of Stained Glass And Adobe Rosary Beads The 18Th-Century Chain Of Twenty-One Old Spanish Missions Offer The Modern Tourist A Window Into The History Of The Golden State At Once Colorful Quaint Often Romanticized And Just Possibly Not As Benign As The Tourist Literature Would Lead Us To Believe.Investigating Just That Possibility Three Amateur Researchers Have Uncovered An Historic Mission Artifact That Proven Authentic Could Shaken The Golden State To Its Foundations.Nor Would The Repercussions End There Cautioned Research Director Brother Kolbe. Not By A Long Shot.At The State Capitol In Sacramento The Governors Mission Affairs Department And Entrenched Bereaucrazy Representing The Vested Interest Of The Church Civic Groups University And Private Concerns Is Naturally Interested In The Discovery. With Real Estate Totaling In The Multi-Billion Dollar Range Including Treasure Troves Of Priceless Relics And Artwork The Mission Affairs Department Is Somewhat Hesitant At Relinquishing Control Of Their Flock Of Iconic Golden Geese.Exposing The Scandalous Mission Hullabaloo To The Light Of Day May Very Well Researcher Samara Del Rio Smiled With A Perfectly Beatific Malfeasance Induce A State Of Anarchy.This My Quest To Follow That Starno Matter How Hopeless No Matter How Faralong With Sam Ostensibly The Team Sociologist; Franciscan Brother And Linguist Kolbe Mcceanna And Computer Technician Felicia Bonaventura Have Tracked The Legendary Article To The Derelict Ruins Of A Minor Auxiliary Mission Mision Estancia San Micmac Abandoned Deep In The Cathedral Redwoods Of Californias Rugged Pacific Coast Foothills. As Sacramento Knows The Notorious Artifact Is A Legendary Mission Document Lost Since The Colonial Era And Thought To Be A Spanish Translation Of Aboriginal Petroglyphs Entitled Las Cuentitas Primaveritas De Isla Califia.Past As Prologue A Highly Divisive Work Of Folkloric Outside Art Colonial-Era Historians Date The Slim Manuscript To The Year 1561. Spakespearean Scholars However Citing Key Internal References To The Bards Colonial-Era Play The Tempest Insist That The Text Is No Older That The Year 1611. Anti-Stratfordians Of Course Call The Spakespearean Theory Leaky As An Unstaunched Wench. Adding To The Debate Pre-Columbian Archivists At Villa Poggio Gherado In Canterbury England Claim Tevidence Supporting A Composition Date Of 1348.Equally Divided Modern Pundits Dismiss Las Cuentitas As Nothing More Than Psychosocial Gibberish And Third-Rate Poetic Doggerel Anyway Or Else Venerate The Document As Instrumental To A Radical Psychosocial Transformation. Either Way If Birds Of A Feather Flock Together Than The Infamous Manuscript Resembles A Traditional Book To The Extent A Penguin Resembles An Ostrich.[Embedded In Translation Throughout The Plot Of The California Tales] Las Cuentitas Represents An Extraordinary Multimedia-Literary Genre Suppressed Censored And Banned Since The 1960S As Irredeemably Subversive To The Status Quo. During Its Brief Hayday In The Sun The Tempestuous Genre Was Known As Prosperos Salient Heliotropic Articulation Pshags. And Particularly Threatening To The Dominate Paradigm Pshag Poetry (Or Poemetry) Was Known Rather Tongue-In-Cheek As Teleothanantological Neuropeptidal T.N.A.S.Moreover Reputedly Encrypted Within A Prospero Shag Tna Are The Sole Surviving Fragments Of The Theoretical Archetypical The Mother Of All Manuscripts The Lore At The Core. Archetypical Tale Theorists Insist That This So-Called Consummate Communiqu Is Simultaneously Primordial And Pansophic Pro