<p>This adaptation of Chaucer&rsquo;s Canterbury Tales explores the bawdy humor of The Miller&rsquo;s Tale The Merchant&rsquo;s Tale The Nun&rsquo;s Priest&rsquo;s Tale and The Wife of Bath&rsquo;s Prologue. Prochaska infuses The Franklin&rsquo;s Tale with a hefty dose of comedy as the characters navigate their way through a rocky coastline and an awkward love triangle.</p><p>Faithful to the original this text is accessible to a young twenty-first century audience for whom it may be an introduction to Chaucer&rsquo;s wise and gentle satire on love marriage and sex. &nbsp;&nbsp;</p><p>&nbsp; &nbsp;&ldquo;CANTERBURY TALES is not centered on sex but [it] does not shy from the pilgrims&rsquo; raunchiness and&hellip;it was taken directly from Chaucer&rsquo;s original stories of an odd-lot of women and men headed for England&rsquo;s famous cathedral&hellip;<br />&nbsp; &nbsp; Adapter Reiner Prochaska has pulled off a marvelous script translated into modern English; he begins with Geoffrey Chaucer&rsquo;s strange language that was spoken in his time long before the age of Shakespeare when England still paid homage to Rome and the pope.<br />&nbsp; &nbsp;No religious overtones let me reassure readers creep into the tales of fellow travelers who are much more concerned with life&rsquo;s harrows and `country matters&rsquo; than God&rsquo;s or the Vatican&rsquo;s doings. In that era they could not count on sticking around a long time and that made every day precious. And that&rsquo;s what Chaucer captured and playwright Prochaska affirms.&rdquo;<br />Roy Meachum The Tentacle</p>
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