<p>The play opens in a hospital; the characters are patients doctors and nurses. It is a recognizable predictable world. And yet as the scenes unfold - in dialogue crackling with intelligence and insight with incandescent bite and humour - our sense of normalcy is rocked from under us. Are these doctors and nurses really just patients from the Arno Klein Psychiatric Wing? Or are they something else entirely: people who are <i>playing</i> psychiatric patients <i>playing</i> doctors and nurses? And who exactly is Arno Klein?</p><p> Described by the <i>Boston Globe</i> on its first performance as 'an unselfconscious fizzing inventive black comedy that is enormously funny' <i>The Day Room</i> displays Don DeLillo's extraordinary talents in the brightest of lights.</p>
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