Death of the Actor


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About The Book

<p>In <em>The Death of the Actor</em> Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor rather than the director as the key creative force in the performance of Shakespeare. Because actors are absent from the site of Shakespearean meaning he argues the illusion of their centrality is sustained only by a rhetoric of heroism violence and imperialism.</p>
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