The Diffusion of Military Technologies to Foreign Nations

<p>The purpose of this work is to recommend the United States government maintain the defense technological and industrial base (DTIB) by aggressively supporting the US defense industry in the arms transfer process. Ironically this recommendation is contrary to the position held at the onset of this research and analysis effort. It is written for the micro-level reader (the young pilot tank operator etc.) the macro-level reader (US government staffers and above in the State and Defense Departments) and senior government officials (Generals Congressmen and Senators) to inform and enhance their ability to understand the DTIB and how arms transfers can help in its preservation. To accomplish this purpose this paper has three aims. First this paper recognizes that the DTIB requires preservation. With the end of the Cold War and the continuing drawdown of US military forces and equipment the DTIB is deteriorating. In this authors view this decline can only be arrested with the help of the US government. Second it describes arms transfers as an instrument of foreign policy based on US national security interests and the foreign policy challenges of the day. The history of arms transfers is broken down into four periods between 1945 and the present to demonstrate this assertion. It predicts arms transfers will continue to be an instrument of foreign policy and can be used to enhance our DTIB.Third it focuses on the current arms transfer decisionmaking process and represents it as a Labyrinth of Control. This section of the paper demonstrates the maze of controls used to adequately ensure that US military technologies are not diffused to foreign nations. A common but misguided view is that the US is selling its technological superiority through arms sales.</p><p>This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact and remains as true to the original work as possible. Therefore you will see the original copyright references library stamps (as most of these works have been housed in our most important libraries around the world) and other notations in the work.</p><p>This work is in the public domain in the United States of America and possibly other nations. Within the United States you may freely copy and distribute this work as no entity (individual or corporate) has a copyright on the body of the work.</p><p>As a reproduction of a historical artifact this work may contain missing or blurred pages poor pictures errant marks etc. Scholars believe and we concur that this work is important enough to be preserved reproduced and made generally available to the public. We appreciate your support of the preservation process and thank you for being an important part of keeping this knowledge alive and relevant.</p><br>