Emerging Contours of the Medium

<b><i>The Emerging Contours of the Medium e</i>xplores a crucial aspect of media thinking focusing particularly on the 'mediality' of literature a medium that remains today on the margins of the theoretical discussion of media.</b><b>The book was written by a collective of authors based in the Institute of Czech Literature Czech Academy of Sciences Czech Republic.</b><br/><b><br/></b>Even though interest in the technological and media aspects of literature has been slowly building momentum in the past several decades from comparative perspectives to written culture to new media the concept of the medium has not informed this process and its systematic integration into literary studies has never been effectively carried out. Nor has the specific mediality of literature been successfully integrated into the general concept of media/lity in media science. Contributors to this work provide both an explanation of and solution to this mutual blindness setting out from the question: What are the conditions for elaborating a media-theoretical framework in which to situate literature as a medium?<br/> <br/><i>The Emerging Contours of the Medium</i> available for the first time in English is divided into three parts which correlate to the three main research areas of the principles for a media theory of literature. Part 1 develops a perspective of the (pre)history of media thinking grounding the principles of the genealogical integration. Part 2 concentrates on and develops the related perspectives of media philosophy and media anthropology. Part 3's main focus is the way media - as <i>dispositifs</i>interlinking the parameters of perception and communication - provide the ground for making emergent media phenomena visible whether it be between media (in their mutual synergy or discrepancies) between media artefacts or between human and apparatus.<br/><br/><b>Stanislava Fedrová</b> is Head of the Department of Art Historiography and Theory at the Institute of Art History at the Czech Academy of Sciences researcher at the Institute of Czech Literature of the Czech Academy of Sciences and Assistant Professor of Literature and Intercultural Communication at Masaryk University Czech Republic. Her scholarly interests include literary theory art theory visual culture and intermedial research with a focus on the relations between verbal and visual media. She is co-author with Alice Jedlicková of <i>Visible Descriptions: Visuality Suggestivity and Intermediality of Literary Description</i> (2016).<br/> <br/> <b>Tomás Chudý</b> works as an independent researcher translator (Kittler Luhmann Taylor etc.) and lawyer for the Czech National Bank. His research interests include media philosophy and the interrelation of technical and humanist paradigms by means of working with signs as well as interlinking social and economic aspects in technically mediated communication. He has published in scholarly journals such as <i>Social Studies</i> and he is the co-author with Richard Müller et al. of the Czech edition of <i>The Emerging Contours of the Medium: Literature and Mediality</i>(2020).<br/> <br/> <b>Alice Jedlicková</b> is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences and Associate Professor of Literature and Intercultural Communication at Masaryk University Czech Republic. Her research interests include intermedial studies (socio-spatial relations of cultural representations) and its history literary theory diachronic poetics and the theory of narrative. She is the editor of and principle contributor to <i>Narrative Modes of 19th Century Czech Prose</i> (2022) and co-author with Stanislava Fedrová of the interdisciplinary inquiry <i>Visible Descriptions: Visuality Suggestivity and Intermediality of Literary Description</i> (2016). She has published on transmediation as a marker of cultural continuity and on the potential of intermedial approach in education rec