The Encyclopedia of the New York Stage 1940-1950

The most reliable source for data on productions of the New York stage both Broadway and Off Broadway is now complete from 1920 through 1950 with the publication of this third volume devoted to the 1940s. The volumes for 1920-1930 and 1930-1940 have been called invaluable indispensable essential and other superlatives by reviewers widely utilized by theatre scholars and researchers consulted by companies producing revivals and quoted by Playbill magazine in answering readers'' queries. The continuing series represents a remarkable achievement for theatre historian Samuel Leiter who singlehandedly has set out to provide such detailed coverage of New York theatre in the twentieth century.Like its predecessor volumes The Encyclopedia of the New York Stage 1940-1950 provides a description of every legitimate production--play musical revue or revival; English-language or foreign-language domestic or import--staged in the New York professional theatre and reviewed by the press during the decade: in this case nearly 1150 productions. Each listing begins with genre designation and subject categorization and proceeds to writing and production credits theatre opening dates and run. The narrative text that follows provides along with plot summary a lively account of background anecdotal commentary from biographies and autobiographies and critical responses to play and production with reference to and quotes from reviews. Ten appendixes offer listings of plays chronologically and in categories as well as play sources awards information on theatres institutional theatres foreign companies reviewers and various statistics. A selected bibliography and indexes of proper names and titles complete the work. The volume introduction is itself a history of New York theatre in the period of World War II and its aftermath. It deals with the hazardous business of theatre both commercial and nonprofit with the critical establishment of the day with the increasing professionalism of Off Broadway with ethnic theatre and visiting companies and provides a fascinating overview of production highlights. Although the 1940s is not regarded as a landmark era in American theatre it did see first productions of such classics as Tennessee Williams''s A Streetcar Named Desire Arthur Miller''s Death of a Salesman and Rodgers and Hammerstein''s breakthrough musical Oklahoma! This volume and the predecessor volumes of this encyclopedia series are indispensable reference tools.