This book seeks to include among accounts of modern lyric poetry a theory of the poem's relation to the unintelligible. DeSales Harrison draws a distinction between sites of unintelligibility and sights of difficulty; while much has been said about modernist difficulty, little has been said about the attention that poets give to phenomena that by definition arrest, impede, obscure, damage, or destroy the capacity for intelligible representation. <p>Introduction: Strange Resistances1. Thomas Hardy: The Broken Lyre2. Wallace Stevens: A Foreign Song3. Philip Larkin: Rather Than Words4. Sylvia Plath: The Stars' Dark Address5. Louise Glück: I Was HereConclusion: Other Ends of the MindBibliographyIndex</p>
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