<p>Three stories about The Ends of the Earth by John Fraser &nbsp;</p><p>Making the world uninhabitable is a prospect facing us all each has a strategy to hasten or retard &ndash; even avoid &ndash; it. Such a project would be the greatest exploit of an evolving species &ndash; greater than the creation quicker than biology and a cock-eyed triumph of the good life and its sciences. Most of us alive won&rsquo;t know if the plan succeeds so hypothesis is the mode proposed. &nbsp;</p><p>The people described in these thematically connected tales are precarious but very human. Extinction would come when the exploration of the planet has barely finished &ndash; one thinks of the poet&rsquo;s &lsquo;round earth&rsquo;s imagined corners&rsquo;. If the world indeed is not flat it still can be conceived of as having ends.</p><p>In &lsquo;Rain&rsquo; the characters display their comfortably familiar habits &ndash; competition jealousy distraction. They find they&rsquo;re ill-equipped to wait out their end &ndash; which comes (or maybe not) from an unanticipated direction. &nbsp;</p><p>&lsquo;Summer Nights&rsquo; has its protagonists at the edge of modernity &ndash; in the shadow of a monster tower they seek their space a &lsquo;green&rsquo; beyond exploitation beyond the limitations of their work and relationships &ndash; and only partly succeed. &nbsp;</p><p>&lsquo;The Esplanade&rsquo; sets its scene in an imaginary &lsquo;Cambodia&rsquo; where the past war and massacres still looms over the new visitors and long-term occupants. Preservation of the ruins means also preserving the realm of Death. The story ends with a parade where Death &nbsp;and human power are both featured in a temporary equilibrium.</p>
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