The Essentials of Illustration

<p>Modern scientific publications although they may in some or even many cases equal in their scientific quality the memoirs of earlier workers do not on the average reach a high standard as regards illustration. For instance in Great Britain botany is pre-eminent in its morphological aspects; it should therefore follow that the illustrations which form so important a part of such papers should be beyond reproach.</p><p> </p><p>This is not always so a fact which must be patent to anyone with the slightest critical knowledge who looks through a typical journal. This is a fact much to be regretted since many of the earlier scientists were accomplished draughtsmen and indeed often artists; in this connection the Hookers and Professor Daniel Oliver may be mentioned.</p><p> </p><p>The implication is not intended that there are no good amateur draughtsmen nowadays; there are and in some cases possessed of great ability. The beautiful work of Church in his Floral Mechanisms may be cited as an example. It may of course be argued that any picture which serves to illustrate the particular feature is good enough; this is the contention of one who takes an insufficient pride in his work.</p><p> </p><p>A feature worthy of an illustration deserves the best the author can produce more especially as a literary form is still fortunately preserved or at any rate aimed at. The reason for indifferent illustrations is primarily due to bad or mediocre drawings or to their unsuitability for the kind of reproduction in view.</p><p> </p><p>With regard to the first point: this lack of draughtsmanship often obtains; when education entirely replaces mere instruction it is to be hoped that all students of science will be trained in the rudiments of drawing. Meanwhile the difficulty can be partly overcome as will be seen later on by the simple means of drawing on an enlarged scale in order that in reproduction reduction can be made.</p><p> </p><p>The second reason the onus of which also falls on the authors is a lack of knowledge regarding the kind of drawing suitable for the different modes of reproduction; this is a very important point for technical conditions govern even genius itself.</p><p> </p><p>Authors however are not always to blame; it would appear that even editors sometimes are wanting in the requisite knowledge for we have known straightforward line drawings reproduced by half-tone; in other cases the paper used is unsuitable for the reproduction and at other times the printers are at fault.</p><p> </p><p> </p>