Feldenkrais Method in Creative Practice

Bringing together scholars and researchers in one volume this study investigates how the thinking of the Ukrainian-Israeli somatic educationalist Moshe Feldenkrais (1904-84) can benefit and reflect upon the creative practices of dance music and theatre. <br/><br/>Since its inception the Feldenkrais Method has been associated with artistic practice growing contiguously with performance cognitive and embodied practices in dance music and theatre studies. It promotes awareness of fine motor action for improved levels of action and skill as well as healing for those who are injured. For creative artists the Feldenkrais Method enables them to refine and improve their work. <br/><br/>This book offers historical scientific and practical perspectives that develop thinking at the heart of the Method and is divided into three sections: <i> Historical Perspectives on Creative Practice</i> <i>From Science into Creative Practice</i> and <i>Studies in Creative Practice</i>. All the essays provide insights into self-improvement training avoiding injury history and philosophy of artistic practice links between scientific and artistic thinking and practical thinking as well as offering some exercises for students and artistic practitioners looking to improve their understanding of their practice. <br/><br/>Ultimately this book offers a rich development of the legacy and the ongoing relevance of the Feldenkrais Method. We are shown how it is not just a way of thinking about somatic health embodiment and awareness but a vital enactivist epistemology for contemporary artistic thought and practice.