<p>Edgar Dryden challenges recent criticism that has tended to discredit--or at least devalue--the importance of &quot;romance&quot; as a thematic and generic category of American fiction. In The Form of American Romance he examines its evolution and meaning through readings of five exemplary texts: Hawthorne&#39;s Marble Faun Melville&#39;s Pierre James&#39;s Portrait of a Lady Faulkner&#39;s Absalom Absalom! and Barth&#39;s Letters. Each of these novels treats the problems of reading and writing in a self-referential way that reflects on the questions they dramatize and Dryden has chosen each with the others in mind. Taken together they chart a line of development with representative examples of what literary history calls romanticism realism modernism and postmodernism and thus they suggest a certain story about the continuity of the American novel.</p>
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