<p>A black comedy touched with absurdity and a philosophical bent that puts the torch to middle-class complacency.</p><p>&nbsp; &nbsp;&ldquo;&hellip;Lock&rsquo;s ideas lend tangy new flavor to an old form&hellip; HOUSE OF CORRECTION is first last and always a superior mystery-comedy-thriller&hellip; He has written a fast moving absurdist piece of neo-realistic suspense of the sort that works best only in the theater. It is a tribute to his talent&hellip;&rdquo;<br />Sylvie Drake Los Angeles Times</p><p>&nbsp; &nbsp;&ldquo;&hellip;Norman Lock&rsquo;s treatment of the evils of psychotic schizophrenia versus the even more ugly aspects of pretentious armchair liberalism is nothing short of hilarious in this outing. It&rsquo;s offbeat and loony with a sitcom flare&hellip;&rdquo;<br />Teen. Daily Variety</p><p>&nbsp; &nbsp;&ldquo;&hellip;it&rsquo;s very funny and very scary like a nightmare that wakes you up shaking forcing you to reassess your life&hellip; Lock&rsquo;s weapon is words and he uses them well&hellip;his imagery is vivid his dramatic momentum strong&hellip;&rdquo;<br />Tom Jacobs L A Life</p><p>&nbsp; &nbsp;&ldquo;This is a delightfully dark beautifully acted suspense comedy&hellip;a script that balances outrageous farce and human tragedy&hellip; It is Lock&rsquo;s gift for concocting eccentric characters and devilishly comic situations that propels the play.&rdquo;<br />Downtown News (Los Angeles)</p><p>&nbsp; &nbsp;&ldquo;This rollercoaster of a play may well turn out to be one of the most significant new plays at this year&rsquo;s Fringe&hellip;a gripping individualistic piece.&rdquo;<br />The Stage (Edinburgh)</p><p>&nbsp; &nbsp;&ldquo;We are kept on the edge of our seats as events move toward a climax beyond expectation&hellip;makes us laugh our way up a mountain of suspense.&rdquo;<br />The Scotsman</p><p>&nbsp; &nbsp;&ldquo;HOUSE OF CORRECTION moves from sitcom to Hitchcock mingling the two so neatly that sometimes you don&rsquo;t know which you&rsquo;re watching.&rdquo;<br />Naked (Edinburgh)</p><p>&nbsp; &nbsp;&ldquo;The play remains ingenious in identifying those essential American tenets and dragging them screaming and skewed to their conclusion.&rdquo;<br />The Guardian (Edinburgh)</p><p>&nbsp; &nbsp;&ldquo;&hellip;entertaining but rigorous in its approach to important moral issues&hellip; This is the first chance for British audiences to see the &lsquo;absurdist comedy-thriller&rsquo; that has played across America but the questions it raises are bound to be relevant here as they are across the Atlantic.&rdquo;<br />Glasgow and Edinburgh Events Guide</p>
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