Whereas most books on the philosophy of music focus on the creation and reproduction of music Bruce Benson''s concern is the phenomenology of music making as an activity. He offers a radical thesis that improvization is of primary importance at the moment of music making. The book brings together a wide range of musical examples from classical music jazz early music and other genres. Incorporating analytic and continental philosophy musicology and performance-practice issues it is a provocative study for philosophers of art and musicologists. It also appeals to general readers; especially those who perform.
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