The Impulse of Fantasy Literature

This book grew out of the authors wish to go beyond a formal definition of fantasy to discover a basic urge and interest common to the genre. He finds this urge to be the celebration of identity. Fantasy is ultimately concerned to heighten and praise being whether that being is Gods creation the world or the creations of the fantasy writer themselves. This interest can take the form of direct eulogy or of more unconscious fascination. It is seen in fantasys conservatism and its frequently elegiac mode and is demonstrated through its formal characteristics such as circular structure and the use of juxtaposition to heighten individuality. It is more overtly present in modern than in pre-1800 fantasy partly because modern fantasy developed as a Romantic reaction against technology and everything that reduced direct contact between people and the environment. These aspects of fantasy are illustrated from detailed discussion of the tales of Grimm Walter de la Mares Told Again W. M. Thackerays The Rose and the Ring Charles Williamss prose fantasies Ursula le Guins Earthsea trilogy E. Nesbits magic books George MacDonalds Phantastes and Lilith T. H. Whites The Once and Future King Mervyn Peakes Gormenghast novels William Morriss late romances Lord Dunsanys The King of Elflands Daughter E. R. Eddisons The Worm Ouroboros and Peter Beagles The Last Unicorn. Together these authors and works provide a cross-section of what is a fundamentally panegyric genre demonstrating its variety its strengths and its limitations.