<p>In this groundbreaking survey of the fundamentals methods and formulas that were taught at Italian music conservatories during the 19th century Nicholas Baragwanath explores the compositional significance of tradition in Rossini Bellini Donizetti Verdi Boito and most importantly Puccini. Taking account of some 400 primary sources Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. <i>The Italian Traditions and Puccini</i> offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini.</p>
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