The Many Cinemas of Michael Curtiz

<p>Director Michael Curtiz was the mastermind behind some of the most iconic films of classical Hollywood-<i>Casablanca</i> <i>Yankee Doodle Dandy</i> <i>The Sea Hawk</i> <i>White Christmas</i> and <i>Mildred Pierce</i> to name only a few. The most prolific and consistently successful Hollywood generalist with an all-embracing interest in different forms of narrative and spectacle Curtiz made around a hundred films in an astonishing range of genres: action biopics melodramas/film noir musicals and westerns. But his important contributions to the history of American film have been overlooked because his broadly varied oeuvre does not present the unified vision of filmmaking that canonical criticism demands for the category of auteur.</p> <p>Exploring his films and artistic practice from a variety of angles including politics gender and genre <i>The Many Cinemas of Michael Curtiz</i> sheds new light on this underappreciated cinematic genius. Leading film studies scholars offer fresh appraisals of many of Curtiz's most popular films while also paying attention to neglected releases of substantial historical interest such as <i>Noah's Ark</i> <i>Night and Day</i> <i>Virginia City</i> <i>Black Fury</i> <i>Mystery of the Wax Museum</i> and <i>Female</i>. Because Curtiz worked for so long and in so many genres this analysis of his work becomes more than an author study of a notable director. Instead <i>The Many Cinemas of Michael Curtiz</i> effectively adds a major chapter to the history of Hollywood's studio era including its internationalism and the significant contributions of European émigrés.</p>