Meanings of Nudity in Medieval Art

It is still routinely repeated that representations of the unclothed body in the Middle Ages connoted a site of corruption and sin in contrast to a new distinctive humanistic and even secularizing Renaissance appreciation. But as the contributors to this collection remind us medieval imagery that incorporated nudity was varied complex and nuanced. It was a time-honored category of representation that viewers had been accustomed to seeing in the most sacred contexts but also an opportunity for dissent and transgression and thus a source of conservative consternation. This volume discloses how nudity in medieval art staged a discourse about sex and gender that informs the iconography of the nude body in Western art up to the present day; in doing so it offers new insight into the problematic role of the nude in the larger art historical narrative. Addressing a strangely neglected key issue in the history of art this volume engages the issue of medieval representations of the unclothed human body on theoretical grounds and in a more global way than has been done previously. The Meanings of Nudity in Medieval Art breaks ground by offering a variety of approaches to explore the meanings of both male and female nudity in European painting manuscripts and sculpture ranging from the late antique era to the fifteenth century.