The Modern Portrait in Eliot's Portrait of a Lady

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature grade: 20 University of Kassel language: English abstract: In summary in this paper the poem Portrait of a Lady written by T. S. Eliot has been placed in a beginning of the 20th century genre of portraiture in painting and regarded as a modern portrait. There is a remarkable similarity of techniques implied in Eliot's poem and used by modern portrait artists such as different media of expression technique of deconstruc-tion incomprehensible image and flatness. The poem represents a dual portrait of an elderly lady and her friend the young narrator. Both figures are characterised by their dramatic monologues from different perspectives. A great deal of the impressive effect of the poem is achieved through dramatic verse that exactly express the tones of the lady's speech. The free verse and effects of rhythm help to provide this impression. The technique of disembodiment and fragmentation used by Eliot shows certain similarities to cubist portrait artists who broke the portrayed subject up and re-assembled it in a new form. Furthermore Portrait of a Lady provides a shifting succession of thoughts consciousness protean in its variety of music and tone and depicts the figures' internal drama without creating a comprehensible image of their appearance. In addition the lady imitates in her speech Arnold and expresses her feelings through quotations and therefore is mentally absent though she eliminates the narrator's consciousness of himself as facing her. However the observer registers the look of absorption which dominates the imaginary face of the lady. This effect of flatness is directly connected with modern portrait painters such as Édouard Manet. Therefore it can be concluded that Eliot's Portrait of a Lady is a notable example of the modern portrait in poetry.